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The Diary Archive
Atishoo, atishoo we all fall down - May 2009
“How
ridiculous…” I mutter to myself, driving in town on a
beautiful spring day with the windows down. I search for suitable
parking place and pull up sharp. Handbrake on, handkerchief out…
a total of eight sneezes, not quite my personal record. "…planting
Tigli (lime trees) along the main avenues in Florence. Darn right
dangerous. You can’t sneeze without shutting your eyes, and
you can’t drive without looking.”
The sudden streaming nose, itchy eyes, coughs and wheezing were typical
hay fever syndromes but I had never suffered like this before, not
even when I lived in Africa. Later, my doctor explained why: apparently
my immune system had plenty to fight against out there and was constantly
kept busy. Bacterially, Europe has cleaned itself up so much that
our white cells have to find other work to do and now often react
against inappropriate things.
My doctor husband tried to convince me there was no point in doing
any allergy tests – I would still be allergic to whatever it
was. But, I protested, perhaps I could at least avoid the culprit.
So off we went to the allergy centre, where my arm was submitted to
the usual skin puncture tests, a line of dots each side with a variety
of probable allergens. “Well I’m certainly not getting
rid of my dog, nor cat,” I warned my husband. I kept silent
about my chronic allergy to housework, inwardly dreading that dust
mites were the cause.
We waited thirty minutes for any reactions to develop. Most of the
little dots remained pallid but one changed into a pinkish blotch
– moderately positive. Then my heart started thumping as my
arm caught fire and a huge red wheal appeared. Don’t scratch!
Keep calm! Help!
Time was up and I was called in. It was obviously one of the three
“tree groups” that had caused the reaction. What strange
pollen could possibly offend an English lady who had, for love, settled
in the county of Tuscany? Olive, of course! So the balmy months of
May and June, when the miniscule Olive flowers blossom, are now only
half enjoyed, slightly blurred by antihistamines. Fortunately, it
is only olive pollen that causes the allergy, not the oil!
The pollen calendar varies slightly from north to south Italy, but
all olive varieties flower from May to June. And be warned that if
you are allergic to a member of the Graminaceae, you may experience
a double attack in Europe, for some grasses flower a month later in
the UK than they do in Italy. Apart from the olive, another tree so
typically found in Tuscany is the cypress. Cypress pollen, which boasts
a huge number of sufferers in Italy, starts to spread as early as
December and January. This may seem a strange time of the year for
hay fever, so if you do suffer from this complaint, remember to bring
your anti-histamines all year round! Googling a combination of the
words “calendario pollini” in Italian will provide a host
of Italian web sites giving all the information you need on flowering
times and up-to-date pollen counts.
Christina Coster-Longman
A Nightingale Sang… in April 2009
Many of us are susceptible to low light levels early in the year
whether we admit it or not. Over long years in the UK, my tried and
tested remedy was the solace derived from pure escapism - my photographer’s
light box was strewn with colourful shots of poppies, tulips, gentians;
a reminder of another life.
That other life now happens to be here, in Italy, between Bolsena
and Orvieto but signs of spring are just as important. Those who view
la bella Italia through rose-tinted specs (or are trying
to sell properties) omit to mention that winters can be bone-numbingly
cold with enveloping mists that exacerbate the isolation in your hill-top
idyll. You begin to realize why the house had been abandoned in the
first place. Signs of spring bring genuine relief.
This year, the first seemingly deluded wild crocus appeared one mist-bound
February morn. Then, a week later, the birds started singing through
the gloom - their hormonal response, evolution-honed, to a primordial
awakening: the avian version of the haunting first notes of Stravinsky’s
Rite of Spring.
Five years of work on our building site has brought our pile of rubble
back to life and the reward is a home where we are at peace. On the
debit side there is an invernal legacy of permanent aches, both real
and psychosomatic, that start even when we pass other piles of rubble
and remember...
Many fellow humans need to spend lavishly on yet more impedimenta
to generate ephemeral pleasure as they battle to keep up with the
Joneses. Here in rural Italy the delights are simpler and often free
– little we know can beat the elation in the early days of April
when we discern the first few special notes in a background dawn chorus,
notes that announce ‘our’ nightingales are back home.
And, like our Italian friends who indulge unashamedly in campanilismo
(no longer the superiority of their bell towers but, far more importantly,
their olive oil, wine and prosciutto) we know that our nightingales
are peerless, the supreme tenors of their species.
These small, elusive birds seem to take but a day or two’s
rest after the flight from Africa, with maybe a note or three of rehearsal,
before they let rip with that rich, throaty song. "Nightingale"
is a misnomer for the males of the six or seven pairs nesting within
eighty metres of our house. There is vocal competition both day and
night from early April until late June - even into July when they
produce a second brood, thanks to an abundant of insects from our
carefully neglected wild meadow. We get no more than an occasional
glimpse - at most the flick of a tail in the impenetrable banks of
brambles - and one of life’s true luxuries: nightingale-induced
insomnia.
Paul Harcourt-Davies
The Liner - March 2009
A
cruise ship rising from a meadow is an unsettling sight, but to anybody
familiar with the city, it’s just one of many contradictory
images. Admittedly, ships don’t generally sail on grass and
you don’t often find two-foot high skittles standing in rigid
rows on the pavement either. But then this is Palermo’s Foro
italico, or seafront park, created some fifteen years ago as a haven
for its sorely-tried citizens. To build it they relocated a traditional
fairground and demolished a hideous circle of religious statues. I
love fairs and still miss the roundabouts but had absolutely no regrets
about losing the statues.
Incredibly, in laying out the park the decision-making authorities
opted for a prato all’inglese, or lawn - acres and acres of
it - which as Palermo lies bang in the centre of the Mediterranean
with summer temperatures soaring into the 30s and beyond, was an odd
choice; in fact, although the grass is a rich emerald at this time
of the year and unless it receives hundreds of gallons of water daily
it’ll be seriously balding and weed-choked by August. No one
is to blame though for the disappearance of the date palms which are
such a gorgeous feature of the Sicilian landscape and which are falling
victim at an alarming rate to the punteruolo weevil. I only hope they
find a way of saving the remaining ones and in the meantime, their
sad stumps dot the park like heaps of elephant droppings.
Now, as the liner slowly passes like a massive and ghostly lawn mower
on its way into port, a stiff breeze whistles in my ear, the skittles
lining the pavement are quiet little policemen winking knowingly up
at me and kids fly grotesquely grinning kites. Any minute now I expect
a mad March hare to come dottily lolloping across the grass towards
me.
Gay Marks
Hospital - February 2009
Visiting
an Italian hospital ward is like dropping in unexpectedly at the home
of a distracted young mother: there is a certain amount of chaos (but
nothing that you cannot cope with). I found this out first hand recently
when my husband Michael went in for minor surgery on his elegant proboscis.
He shared his room with three men and a lanky boy of fifteen, who
had survived a spectacular motorbike accident. The accident had been
written up in the newspaper - complete with screaming headline and
full-color photo of a skid-marked street. The boy showed the article
to my husband while describing in excruciating detail the pain that
was to be Michael’s once the blood-soaked post-op tampons were
yanked from his nostrils.
I learned the rules of visitor comportment from the boy’s vigilant
mother, who arrived each morning at nine sharp with a bakery tray
of mini cream puffs, a fresh stack of magazines, cans of Coke and
bags of potato chips. She knew where the bendy straws were kept, where
to find the communal fridge and the vending machines, and where to
locate a real nurse should our patient require one.
It took me a while to fall under the spell of an Italian-style hospital
stay. Frankly, being on-call at my patient’s bedside came as
a surprise to me. I confess that I had started making plans for the
home improvement projects I would attack once my adored husband was
quietly laid up in the hospital. But as I got used to it, I began
to realize how much this relaxed, family atmosphere - with its cream
puffs and children’s games - can be beneficial to the patients,
and I now believe that a designated “mother” for each
room might be just the ticket for hospitals in all parts of the world.
Patricia Guy
Capodanno - January 2009
There are two occasions when fireworks light the skies of Florence:
the feast-day of St John the Baptist, 24 June, and New Year’s
Eve.
Pyrotechnics
are age-old and were popular for theatre entertainment in Renaissance
times, the Medici princes employing engineers to stage the displays.
The church employed them for the many important feast days; that of
John the Baptist being the only one left; it is totally civilized
and beautifully coordinated by the council. Crowds gather along the
banks of the Arno river after dark to gaze at the continuous shooting
stars of sparks that shower over San Miniato al Monte.
New Year’s Eve, on the other hand, is about as uncivilised as
a hooligan raid on a football pitch. No amount of newsreels of lost
limbs, exploding factories or burning apartment blocks have stamped
out the fun. Sparklers? Never heard of them. A big bang? Acceptable
if it is above 200 decibels and therefore capable of splitting the
timpani. The run in begins days before, so when a hand grenade is
thrown into the road, dash for cover.
On the night itself, on facing a barrage of molotovs and a smoke-screen
thick enough to rival the old London pea-soup fog, Spot, our dog,
hid behind a tree and refused to budge: ‘I’ve reached
the age of fifteen and if it’s mercy-killing you’re after,
I’d prefer the injection’. Two hours of friendly persuasion
and he made the 200 yards home.
On reflection though, things have got better over the forty odd years
I’ve been living here. Years ago, in Rome, New Year’s
Eve was an opportunity to rid yourself of the year’s clutter.
At the stroke of midnight, anything you could stagger to the window
with was chucked into the street to the accompaniment of popping spumante
corks, hearty cries of good wishes, and the odd echo of gunshot: armchairs,
TV sets, flower pots, the lot.
There was a 50% risk of a puncture if you returned home by car. One
uncle resolved this by taking his sons along as skivvies - they walked
ahead with brooms, sweeping glass out of his path.
But, I mean, where would you find teenagers who would do that nowadays?
Jean Grundy Fanelli
Santa - December 2008
Both the Christmas tree and Santa Claus are alien to Mediterranean
culture. Yet here they are again this December, the first towering
above the jacarandas in Palermo’s Politeama square, the second
sweating profusely inside his furs as he clangs his bell outside the
Pinguino ice cream parlour.

On my way to our local hospital for a routine test I wish it weren’t
quite so warm, not only for Santa but for myself too. The Italian
National Health Service staggers under the weight of an overload of
out-patients and I envisage endless hours of waiting. Sure enough,
I find I am the 104th in the scrum to pay the mandatory consultation
charge after which, with my fistful of rubber-stamped receipts and
authorized referrals, I join the mass of out patients lining the walls
of an airless corridor waiting for the specialist.
Glancing out of the window into the midday glare I can see the hospital
chapel across the forecourt. Inside will be the traditional presepe
or crib. Forget Santa Claus, this is the authentic Sicilian expression
of the Nativity, set up every year in homes and peopled by miniature
Magi, Holy Family and cattle. Today these are made of plastic in the
PRC but enter the sumptuous interiors of Palermo’s great Baroque
churches, the gloom heavy with incense and slow-burning candles, and
you’ll see the real thing. Here, the shepherds down on one knee
at the manger wear expressions of wonder, each of three richly-robed
kings carries a different gift, and the folds of Mary’s blue
cloak fall gracefully about her. Carved in wood and of great antiquity
these marvellous figures are lovingly brought out every Christmastide
and placed in their starlit landscape of hills and coursing rivers.
Although the crib in the hospital chapel will be nowhere near as beautiful
as this it will still bring comfort to many. Which is what matters.
My name is called and I follow the nurse into the surgery where the
examination is painlessly and efficiently carried out.
‘Everything fine’ the doctor pronounces, handing me his
report.
We wish each other a happy Christmas and I step out into the searing
Palermo heat. Santa Claus isn’t on the street any more but on
a high stool inside the Pinguino, beard well-pushed up onto his forehead,
gorging on a large ice cream.
Gay Marks
Life Sentence - November 2008
You will reach a point in your stay in Italy when you are comfortable
with the language. You can chatter away at the market, read Italian
detective novels and skim the daily paper. At this point some well
meaning friend will ask you to translate something for a friend of
a friend who works in advertising or who has set his sights on selling
his company’s wares in an English-speaking market. High on self-confidence
you will agree. How hard can it be with a nice fat copy of Zingarelli’s
Vocabulario della Lingua Italiana (12th edizione) at your side?
I remember well my first translating experience. I dived into the
neatly typed sheet of Italian text. I was half way down the page and
the first sentence had yet to come to an end. Semi-colons and commas
were sprinkled liberally. Their placement seemed to serve as stage
directions informing the reader/speaker when to pause for breath and
where to shake his fist or stamp his foot indignantly. I had never
read anything quite like it. I assumed that it was just the bizarre
style of the particular writer. So I broke the long ramble into seven
nice English sentences and toned down the indignation. It was, after
all, an introduction for a brochure.
Alas this maniacal verbosity was not an isolated case. My husband,
the translator, often calls me in to marvel at some mile-long sentence.
The last such occasion left me dazed.
“Did you notice? Did you notice,” he crowed, after I had
fought my way through the dense thicket of verbiage on the page.
“What?” I asked, still blurry from the prose.
“There was no verb,” he cried.
Indeed the writer of this twelve-line long sentence had neglected
to give it that little motor we fondly call a verb.
Patricia Guy
The Darker Side - October 2008
They were the first to express their condolences minutes after my
Mother died -- two spivs in sharp suits and lizard-skin shoes, one
of them carrying the lugubrious tools of the Italian mortician in
an aluminium attaché case, the other a dab hand with a pocket
calculator. Instantly alerted to a potential customer by their informant
in the Roman hospital, they began their mock sympathetic sales pitch
as I sat by Mum's bedside, trying to make sense of the end to her
last days of suffering from Alzheimer's.
"Want to transport Mamma back to England, do you?," Maurizio,
the salesman, asked. "That's nice. Would you like her to travel
by road or by plane? If she goes by road that's 2000 kms, it'll cost
you €2000. No, you're right, better by plane, that'll be €1000."
Recalling the grasping British undertakers who buried my father 20
years before, I declined to enter into that kind of discussion. The
becchini promised to do everything necessary to prepare Mum
for the laying out in the hospital Chapel after dawn. When I arrived
in the morgue hours later, however, they had not kept their word.
Mum's body was there all right, crumpled under a sheet like a rag
doll. But nothing had been done to give her appearance the dignity
in death that would make the scene bearable for her young grandchildren
or my wife.
A call to Maurizio brought the shifty mortician who dressed Mum, placing
a rosary in her hands. The delay, I realised, was a not so subtle
suggestion that I should sign on the dotted line to give his boss
the commission to arrange the funeral, choice of coffin and its transport
to the airport by hearse. As Maurizio began his day's business with
a series of calls on his mobile in the chapel, I vowed to get Mum
out of his clutches.
On a hot spring week-end in Rome, finding an alternative becchino
proved no easy matter. The friendly Irish Father at the Basilica of
San Silvestro kindly agreed to arrange a family funeral at short notice
but admitted he was more used to celebrating marriages in the beautiful
church. Maurizio, meanwhile, told me he was pressing on with obtaining
a death certificate from the ASL, the local health authority.
At the Venerable English College, the Rector directed me gently toward
the British Consulate. Maurizio called again, a little distraught
this time. There had been a deadline for applying for the death certificate
that we had missed by a few hours, he explained. In the normal run
of things this would have made no odds but an officious bureaucrat
at the ASL had alerted the mortuary police that the delay might indicate
a suspicious death. The police had raced to the hospital in a van,
shoved Mum's body onto a stretcher and sped off with her to the municipal
morgue in front of the Verano cemetery where she would undergo a post
mortem. I told Maurizio I would hold him accountable for any more
surprises with my bare hands.
At last the Consulate gave me the name of an undertaker, Cristina,
specialised in working with the UK. She spoke English. Maurizio, now
apparently terrified, happily turned over the job to his colleague,
who proved to be respectful, efficient and sympathetic. But also expensive.
As an underemployed and broke foreign journalist locked in a legal
battle with my daily newspaper, the €2,800 bill appeared insuperable.
After hours of anxiety and a fruitless appeal to the Consulate for
a loan, I remembered I still had one cheque left from my old Italian
bank before they foreclosed on me. This was clearly the only option
to get Mum home.
Would Cristina take a cheque? God bless her, she would. And Mum would
be in the UK when it reached the bank. And so would I. To hell with
the people in the bank if they couldn't take a joke.
At Verano, the mortuary police finally released Mum for repatriation.
Everything at the funeral was beautiful, especially the haunting psalms
sung by Brother Steven. Cristina's driver headed for Leonardo da Vinci
Airport. Mum was finally going home.
John Phillips
Sposati spossati - September 2008
After eleven years together, Dan and I decided to get married.
‘Why?’ everybody asked at some point. Stumped if I know.
It
took some doing. To start with we needed to unearth every document
pertinent to a complicated life, and to take them to our comune at
Citta della Pieve on a Tuesday morning between 10 and 11. After a
moderately abrasive correspondence with our respective ex-sposi, the
papers were gathered, stamped and put in a file by a smiling pit bull
terrier, who turned out to be more of a dachshund re the leg element.
Standing she was no taller than seated, but she grasped us firmly,
clutching a surprising pink Barbie handbag, and led us off to inspect
possible wedding venues:
1. Small broom cupboard stacked with grey filing cabinets.
2. A huge frescoed chamber in the Duke of Corgna’s Palace which
would set us back €180.
‘Broom cupboard,’ said Dan.
‘Wedding’s off,’ said I.
Next came banns in the British Consulate in Florence. Many documents.
We had been warned that another couple had been arbitrarily assigned
complete strangers as marital partners without so much as an acknowledgement
of error.
‘Do you mind swearing on the bible?’ asked Mrs Head Prefect
behind the plate glass screen.
‘If we did? What then?’
‘You’d just swear anyway,’ passing a doll sized
bible beneath the glass.
The likelihood of any interested party happening to drop into the
British Consulate and spot our announcement was pretty slim, so we
passed the next three weeks undramatically making lists.
Sadly, Pit Bull Terrier was on holiday and her replacement forgot
to book the Palace for the event. For a perilous moment it looked
like forty of us would be filed in the broom cupboard. But with one
of those miracles that occur with spooky regularity at highly charged
moments, we collided with an interested, efficient, effective fairy
godmother on the day before the wedding – who with consummate
diplomacy gained us the Palace, an impromptu cocktail party in the
Palace courtyard, and a Polish opera singer to serenade us.
Citta della Pieve was decked with the flags of the Terzieri on the
day, the sun shone on the handsome rusticated entrance of the palace
and beamed into the frescoed room where the mayor was adjusting his
red, white and green sash. I wept throughout – wrong mascara
– even when the fairy godmother caused general hilarity by translating
the stern command to educate our children properly. Aged 25 and upwards
we felt we’d done our bit.
The singer sang, the Pit Bull replacement handed me a bouquet of peach
roses haloed with baby’s breath, and the mayor shook Dan’s
hand, regaling him with an Italian flag in drip dry polyester and
a copy of the constitution.
Miranda Innes
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Beach People - August 2008
Every year from June to September the fine sands of the lovely bay
of Mondello just outside Palermo disappears under rows of wooden bathing
huts. Set back-to-back and as close together as soldiers, they run
at right angles down to the water’s edge, leaving just a series
of enclosed spaces or cortili exclusively for the use of
Beach People. But this is all about to change; the authorities have
decided the huts must go, they’re politically incorrect, hogging
the beach and obscuring an open view of the sea for everyone else.
Mondello is to lose its exclusive and unfair status and become like
every other seaside resort.
The trouble is, it’s not like everywhere else, Mondello is
a way of life, light years from the regimented Italian Riviera or
Britain’s own agonizing shingle beaches and freezing waters.
For the Sicilian summer which goes on for ever, you need all the necessary
paraphernalia at your fingertips - chairs, tables, beach umbrellas
and a lot more besides. Huts are the perfect answer. In Mondello these
are rented year after year by the same families; their children have
grown up together, marriages have blossomed, grandchildren added to
the clan. Beach People love to socialize even more than the enjoy
going into the water and above all, they love their huts, personalising
them with wallpaper and perhaps an airy curtain or two blowing in
the breeze. They adore gossiping and playing cards; you see them in
the cool of evening still on the sands around their trestle tables,
sleepy babies beside them, teenage boys and beautiful girls whispering
together in the dusk. And then when it’s finally time to go
home everything is packed away into the hut and it’s just a
short drive back to Palermo. A slice of Mondello’s history will
disappear with the huts. I’ll be sorry to see them go.
Gay Marks
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Taking the Waters in Venice - July 2008
Here’s a pleasant, harmless entertainment: fill a glass of water
at your kitchen tap, swig it down nonchalantly – then watch
your American guests contort with anxiety.
‘You
drink the tap water in Venice?’
It’s as if you’re making a suicide bid in front of them.
As George Carlin observed, ‘Try spelling Evian backwards.’
Insiders in Venice have long refused to pay extortionate prices for
‘pure’ bottled water with a carbon footprint the size
of a dirty yeti’s. At restaurants, you can put a complicit smile
on a surly waiter’s face by requesting ‘l’acqua
del sindaco’ – ‘the Mayor’s water’:
the clean, safe liquid that flows freely and for free out of Venetian
taps.
Now it’s official. Our charismatic Mayor Massimo Cacciari has
launched a campaign. The Bearded One with the fathomless eyes has
posed for posters with the caption ‘Anch’io bevo l’acqua
del sindaco’: ‘I drink the Mayor’s water too.’
June also saw the launch of 100% pubblica, a campaign to raise public
awareness about the commercialization of
water: empty bottles distributed for free with a map showing all the
water fountains in the city where these bottles can be filled –
and re-filled – with good drinking water at no cost either to
the consumer or the environment.
Bottled water has many unsightly manifestations in Venice. You can
instantly tell the tourists by the way they nurse on their supersized
baby-bottles of expensive water. Then there are the obscenely large
lorries that clog the Ponte della Libertà, shuffling water
into a waterborne city with its own excellent piped supply, without
any apparent sense of irony.
But by far the most dispiriting manifestation is the morning tide
of plastic bubbles floating down the canals like blooms of mutant
jellyfish. Here’s something that perplexes me daily: exactly
what is it in the soul of a tourist that responds to our beautiful
city – by throwing his or her ugly plastic bottle into our Grand
Canal?
Michelle Lovric
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Some Need It Hot - June 2008
This is just a ramble, a spring ramble through the Tuscan landscape.
A soaked and vibrantly verdant Tuscan landscape, exceptionally so
for the beginning of June. For it has rained and rained. Then rained
again – hard – for good measure. We Tuscan inhabitants
live in fear of drought halfway through June, of baked earth and sun
withered crops, of wells running dry and barely dribbling hosepipes.
No fear this year.
Two weeks ago the town was ‘flooded’ with tourists, for
the most part sun-hungry, Northern species drawn south, yearning for
natural warmth. Dutch and German number plates abounded in car parks,
the English harder to spot since many fly in and rent cars. People
dodged puddles, rainstorms and sad, deserted outdoor café tables.
Undaunted at first, they sported shorts and brightly coloured, minimum
fabric T-shirts in an act of defiance against the seriously chilly
heights of our steep, narrow, rain soaked streets, which cleverly
slope so that the centrally caught water hurtles down, river-like,
to escape in great jets through opportunely placed holes in the massive
Etruscan walls, showering down onto traffic below. Noisy and impressive.
The Etruscans were formidable engineers, but even they couldn’t
make the sun shine.
In shop display baskets, umbrellas replaced sunhats and lovely Italian
leather handbags. Tempting, but empty, swimming pools glittered a
cruel blue enticement in country residence gardens as the rain slashed
down and the wind bent trees. The visitors desperately invented alternatives
to the bliss of poolside relaxing under the touch of warm rays on
sun-starved Northern skin: Another wine-tasting? How about a museum
visit? The kids are fractious and we’ve driven all this way,
worked all winter, to PAY for this!
Meanwhile, sadistically, the weather forecast informed us that elsewhere
in Northern Europe there was unusually warm, sunny weather: notably
in Holland and England. And then, suddenly, sporadically, the sun
would come out; lighting up the colours of the magnificent landscape,
turning on the old Tuscan charm like a diva’s smile. Just to
tease. And as always, at the warmth of that smile, clothing was shed
to bare tender pale skin, glowing red come nightfall. The Italians
try not to stare or think of basting it with extra virgin olive oil.
Not that they don’t sunbathe too, but they are more patient,
they are residents, they have a congenital certainty that the sun
will return, will always return in good time to slow roast all true
Italian sun-worshippers into the bronzed statues of their magazine
dreams. And so far, it always has.
Patti Garvin
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